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	<title>RVANews</title>
	<link>https://rvanews.com</link>
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		<title>ILAD and No BS! tonight at The Camel</title>
		<link>https://rvanews.com/etc/ilad-and-no-bs-tonight-at-the-camel/129?utm_source=RSS&#038;utm_medium=RSS&#038;utm_campaign=RSS+Readership</link>
		<pubDate>Fri, 17 Apr 2009 17:30:00 +0000</pubDate>
		<author>Dean Christesen</author>
		<guid isPermaLink="false">http://rvajazz.wordpress.com/2009/04/17/ilad-and-no-bs-tonight-at-the-camel</guid>
						<description>&lt;p style = &quot;text-align:center&quot;&gt;&lt;/p&gt;&lt;div&gt;&lt;a href=&quot;http://www.iladmusic.com&quot;&gt;ILAD&lt;/a&gt; and &lt;a href=&quot;http://nobsbrass.blogspot.com/&quot;&gt;No BS! Brass&lt;/a&gt; will be performing together tonight at The Camel as part 2 of No BS!'s &quot;With Our Powers Combined&quot; series.  On March 27, No BS! performed with one-man-band Gull and dancer Rachel Warren, and back in February they allowed a project from Maggie Walker Governor's School to open for them.  They fill up The Camel every time they play, but let's get one thing straight: this is a band that doesn't need marketing tricks to pack the house.  Their collaborations with artists of different genres seem genuinely out of curiousity for musical results, and not just strategies to sell more tickets.  It's common knowledge: these guys throw a great party.&lt;/p&gt;&lt;p&gt;ILAD fans are familiar with the band's flexibility for new situations and their penchant for switching things up.  With strong ties to the experimental and avant garde scenes, rock formulary is hard to find. Performing together with a brass band does not even seem out of the ordinary for this group.  The results are bound to be special, but a special experience is what listeners come to expect with ILAD.  Their new album &lt;span style=&quot;font-style:italic;&quot;&gt;Here//There&lt;/span&gt; will be released tonight.&lt;/p&gt;&lt;p&gt;&lt;a href=&quot;http://rvajazz.files.wordpress.com/2009/04/heretherecdreleaseexperiencedfinal.jpg&quot;&gt;&lt;img src=&quot;http://rvajazz.files.wordpress.com/2009/04/heretherecdreleaseexperiencedfinal.jpg?w=194&quot; alt=&quot;&quot; border=&quot;0&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div&gt;ABOUT ILAD&lt;br /&gt;Coalescing the experimental spirit of their debut, &lt;i&gt;The Spoon&lt;/i&gt;&lt;span style=&quot;font-style:normal;&quot;&gt;, with the more focused song-writing and groove-based stylings of &lt;/span&gt;&lt;i&gt;National Flags&lt;/i&gt;&lt;span style=&quot;font-style:normal;&quot;&gt;, &lt;/span&gt;&lt;i&gt;Here//There&lt;/i&gt;&lt;span style=&quot;font-style:normal;&quot;&gt; is set to become a breakthrough release for &lt;span class=&quot;il&quot;&gt;ILAD&lt;/span&gt;.&lt;span&gt;  &lt;/span&gt;For about two weeks in May of 2008, &lt;/span&gt;&lt;i&gt;Here//There &lt;/i&gt;&lt;span style=&quot;font-style:normal;&quot;&gt;was recorded in a fury.&lt;span&gt;  &lt;/span&gt;The band laid down enough material for 2 records and then some.&lt;span&gt;  &lt;/span&gt;After long debate on how to release this immense collection of almost 30 songs, they boiled it down to a single disc and plan on releasing the extra material as an EP called &lt;/span&gt;&lt;i&gt;We Still Gawn Move&lt;/i&gt;&lt;span style=&quot;font-style:normal;&quot;&gt; in Fall of 2009.&lt;span&gt;   &lt;/span&gt;The body of work yielded from the &lt;/span&gt;&lt;i&gt;Here//There&lt;/i&gt;&lt;span style=&quot;font-style:normal;&quot;&gt; Sessions documents a band in the midst of an intense phase of prolificacy with no sign of letting up (it’s been reported that they’ve already begun writing music for a 4th album and claim to, yet again, have enough material for at least 2 records).&lt;span&gt;  &lt;/span&gt;&lt;span class=&quot;il&quot;&gt;ILAD&lt;/span&gt; has evolved from a chance grouping of 4 individuals of which McDaniel assumed the main responsibility as singer and songwriter on &lt;/span&gt;&lt;i&gt;The Spoon&lt;/i&gt;&lt;span style=&quot;font-style:normal;&quot;&gt; into a much more egalitarian outfit on &lt;/span&gt;&lt;i&gt;Here//There&lt;/i&gt;&lt;span style=&quot;font-style:normal;&quot;&gt;, where there is no clear frontman, but instead all members share in and at times trade off the leadership role.&lt;span&gt;  &lt;/span&gt;The instrumentation/sound palette also expanded greatly on &lt;/span&gt;&lt;i&gt;Here//There&lt;/i&gt;&lt;span style=&quot;font-style:normal;&quot;&gt; to include more piano and guitars, Hammond organ, Wurlitzer, Casio keyboards, accordian, clarinet, wood flutes, banjo, throat-singing, glockenspiel, various shakers, chimes and small percussion, etc., and they even enlisted the vibraphone-playing talents of Ralston’s older brother, Cary Ralston (aka .:. impossible, who has assumed the role as &lt;span class=&quot;il&quot;&gt;ILAD&lt;/span&gt;’s personal artist-in-residence).&lt;span&gt;  &lt;/span&gt;Yet with all of the musical chairs being played by the 4 members, the band somehow managed to never give in to the ADHD impulses so tempting in studio environments or to lose focus on the core songwriting of &lt;/span&gt;&lt;i&gt;Here//There&lt;/i&gt;&lt;span style=&quot;font-style:normal;&quot;&gt;; but instead has greatly matured the identity so uniquely their own. &lt;span&gt; &lt;/span&gt;It is this ability to so successfully and keenly navigate through such a democratic creative process together which seems to be the legacy &lt;span class=&quot;il&quot;&gt;ILAD&lt;/span&gt; is just beginning to build.&lt;span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class=&quot;blogger-post-footer&quot;&gt;&lt;/div&gt;&lt;p&gt;&lt;br /&gt;Ho there, reader of RSS feeds! Do you ever want to support RVANews in a real and tangible way? Or at least pay a small penance for reading ad-free content? If so, &lt;a href=&quot;https://www.patreon.com/rvanews&quot;&gt;support us on Patreon for a couple bucks a month&lt;/a&gt;!&lt;/p&gt;</description>
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